How Did Donna Die Mamma Mia! Here We Go Again
- INSIDER spoke to "Mamma Mia: Here We Go Again" director Ol Parker nearly the complicated "Dancing Queen" scene, which involved fourteen boats.
- Parker said that Colin Firth and Stellan Skarsgård aren't good dancers, and so they changed their choreography for the boat scene the dark before shooting.
- Parker also confirmed why Meryl Streep'due south grapheme Donna was killed off for the sequel, and why the movie doesn't clarify how she died.
- "Mamma Mia: Here Nosotros Go Again" is available on digital, DVD, Blu-ray, and On Need now.
Ol Parker, the director of "Mamma Mia: Here We Get Again," fabricated the almost delightful flick of the summer that audiences and critics loved.
INSIDER spoke to Parker leading upward to this calendar week's DVD, Blu-Ray, and On Demand release virtually the complex "Dancing Queen" sequence that involved xiv boats, and the conclusion to kill off the principal graphic symbol.
"Hither Nosotros Become Again" tells two stories from 2 different time periods. In the present, Donna, played past Meryl Streep in the original 2008 "Mamma Mia," has passed away. Her daughter Sophie (Amanda Seyfried) is running a hotel from the Greek Island where they lived together. The other story, set thirty years earlier, shows how Donna (played past Lily James) met Sophie's 3 "dads," ultimately leading to Donna settling in Greece, meaning with Sophie.
Tardily in the moving-picture show, Cher, who plays Donna'due south female parent and Sophie's grandmother, shows up on the island and sings the iconic ABBA vocal "Fernando" with Andy Garcia, a moment that made audiences everywhere scream with excitement.
Parker also told INSIDER how Meryl Streep's involvement in doing the sequel with her character expressionless got the residual of the original cast to do the movie. And some of them said aye without even reading the script.
This interview has been edited and condensed for clarity.
Carrie Wittmer: Could you lot walk me through the process of making a sequel ten years afterwards?
Ol Parker: There was always a massive desire for a sequel. The studio couldn't accept wanted information technology more given how much coin the original made. Just immediately, there was just a struggle. Non every story needs another chapter. So they couldn't really discover a proper version that actually made dramatic sense. And all of the bandage, Meryl in particular — none of them wanted to exercise information technology. They were all very proud of the first one and what information technology had accomplished and how it had made people feel. And so they didn't merely desire to show up. Meryl was never going to do that.
Wittmer: Interesting. How did you get involved?
Parker: Because they were desperate and I was cheap, I remember. And I suggested that Meryl's character be dead in information technology, and that we make the film at least in part about getting over the loss of her.
Wittmer: Did Donna existence dead make Meryl a fiddling more into the idea of a sequel?
Parker: We talked to her nigh it, and she was delighted. The news that Meryl was in was brilliant to the residuum of the cast and bright for me, obviously, because they all committed straight away. Some of them without reading the script.
Wittmer: In the movie you don't reveal how Meryl's character Donna died. Exercise yous know how?
Parker: Aye. And nosotros included the cause in various dissimilar drafts. Information technology's just if you use the discussion "cancer," it kind of becomes the whole scene. I talked with Amanda [Seyfreid] and Pierce [Brosnan] about how it had gone and how long it had taken for Donna to die, and we all felt that the characters had time to get used to it while it was happening. Information technology wasn't sudden, it wasn't a drowning or something. Then, something boring.
Wittmer: 1 affair I love virtually "Here We Go Once again" is the employ of some of ABBA's less pop songs, like "Andante, Andante" and "One of Us."
Parker: I basically did the picture to please my mum.
Wittmer: Was it hard to pick what songs to employ?
Parker: I hateful, you lot tin't do it without "Dancing Queen," and patently the movie is called "Mama Mia." But when I start went to Stockholm to met Benny Andersson and Bjorn Ulvaeus [of ABBA], they said, "We would love for the songs to serve the plot and drive the plot." Then I just idea if I just chose the best vocal for the drama rather than the most well-known vocal then that would be great. "I've Been Waiting For You" is very piffling known, but I but thought information technology was admittedly cute and I had the thought of Amanda singing it while Lily gives nascence. And Bjorn rewrote the lyrics very generously to brand information technology more continued to what you lot're watching, which he besides did at the end with "My Love, My Life."
Wittmer: I didn't fifty-fifty notice the lyrics were rewritten. How did y'all incorporate "Fernando?"
Parker: I just wanted the vocal. I mean, Andy [Garcia], his character Fernando was invented so that Cher could turn to him and sing, "Fernando." He was invented in opposite for that moment. Then different songs for different things. But in general, the idea was to endeavour and brand them bulldoze the narrative a scrap more similar a musical than a jukebox musical.
Wittmer: There's a lot of complicated choreography in these musical sequences. I'm thinking specifically of "Dancing Queen," which involves many, many boats. What was information technology like to picture show that?
Parker: I was absolutely delighted, but horrified to be offered the task two months after I'd handed in the script. Considering it suddenly became my problem, having merrily written, "Aye, 14 boats, it's gonna be groovy! Fabulous!" Then I notice myself in a helicopter looking at 14 boats thinking, "Okay." Merely yeah, information technology was complicated. My principal style of directing is to hire really good people and so go out of the manner and permit them exist brilliant. I had a really good team. They took actually good care of me. And everyone was actually committed and the actors were all in, equally yous tin tell. And so it was a ridiculously fun shoot. Embarrassingly fun.
Carrie: It'southward amazing. I can't get Colin Firth and Stellan Skarsgård spooning each other on the gunkhole out of my head.
Parker: Colin and Stellan were slightly worried nearly dancing, because they're not great at it. We were talking the night earlier shooting, and they'd rehearsed the dances on the gunkhole. But information technology but wouldn't have looked great. I was like, "but hang from the rigging. Have fun. Simply have fun." And they had a ball. They were laughing all the manner through it and it turned into an incredibly happy solar day for them, which is not what they were expecting. If they're having fun and then nosotros will. That was my promise, anyway.
Read More:
12 surprising things you lot probably didn't know most the 'Mamma Mia' movies
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Source: https://www.insider.com/director-of-mamma-mia-2-reveals-how-meryl-streeps-character-died-2018-10
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